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We Can Do It! (Fichas De Arte)

 We Can Do It !




Is a sign of U.S. war propaganda created by J. Howard Miller in 1943 for Westinghouse Electric as an inspiring image to raise the morale of workers. It is generally thought that the poster is based on a black and white photograph of a cable service taken to a factory worker named Geraldine Hoff Michigan.

The poster was seen little during the Second World War. It was rediscovered in the early 1980s and widely reproduced in many forms, often called "We Can Do It!" but also "Rosie the Riveter", which is the figurehead of a working strong production in the period of the war. The image of "We Can Do It!" was used to promote feminism and other political issues from the 1980s. The picture made the cover of Smithsonian magazine in 1994 and became a first class postage stamp in the United States in 1999. It was incorporated in 2008 in Campaign materials for various U.S. politicians and was reworked by an artist in 2010 to celebrate the first woman to become Prime Minister of Australia. The poster is one of the ten most requested images in the National Archives and Records Administration of the United States.
After its rediscovery, observers often assumed that the image is always used as a call to inspire workers to join the war effort. However, during the war was strictly internal image of Westinghouse, shown only during February 1943, and it was not for recruitment, but to encourage women already contracted to work more duro.Las feminists and others have used his attitude Uplifting apparent to redo the image in many ways, including self-empowerment, promotion campaigns, advertising and parodies message.

The fife (Fichas De Arte)



The fife is a painting by French painter Édouard Manet made ​​in 1866. At present, is preserved in the Musee d'Orsay in Paris .
It is known that between 1872 and 1873 remained in the box the private collection of Paul Durand- Ruel , gallery owner and art dealer who supported the young painters who would form the impressionist group. Between 1873 and 1893 the box was held by Jean -Baptiste Faure, French composer and baritone , a friend of Manet. In 1893 , again the fabric collection Durand- Ruel , to be acquired the following year by the Earl of Camondo Isaac , in whose collection it remained until 1911 , when it was delivered to the French state as a donation . The picture was intended to the Louvre , where they will be exposed to the public until 1914. In 1947 he was transferred , along with other works of Impressionist authors, the Gallery of the Jeu de Paume , a showroom located in the Jardin des Tuileries and the Louvre belonging . He remained there until 1986 , when , with the creation of the Musée d'Orsay , was transferred to the museum , like the rest of the collection of Impressionist paintings from the Louvre. Currently he can be seen in Hall 14 at level 0 of the Orsay Museum .

Girl entering the bath (Fichas De Arte)



Girl entering the bath is a canvas 86 x 106 cm painted by Joaquín Sorolla in Valencia beach during the summer of 1915 , a period of rest of the work he was doing for the Hispanic Society of America . It depicts a young girl , possibly his daughter Elena , at the time of entering the water, the background can be seen two boats and children playing . The composition having magnificent color effects formed by the light of its impact on the sand and the sea, is centered on the beach and in the movement of small , not being visible horizon . It is a mature work of the painter.
The first owner of the painting was the art dealer Just Bou , which sold it to the collector and bibliophile Maria Bauza.1
It was exhibited for the first time in public in May 2009 . The Sotheby 's in London auctioned it on June 3, 2009 , was acquired by an American collector to the final price of 1.9 million euros. The other work of Sorolla 18-11-2003 similar theme titled Bath time , reached a record price of 5.3 million


The withdrawal of the Gleaners (Fichas de Arte)



With this Call of Gleaners Jules Breton represents a current scene of peasant life in Courrières , his hometown in Artois . Choose represent the Gleaners , the thin crescent room up on the left, the presence of the ranger , attached to a cairn, calling to collection with hands spokesman , however with the setting sun behind the trees providing the box and the warm golden light of a sunset .
Despite the presence of some more realistic details like the worn and torn clothes and bare feet of women, the painter has completely idealized scene . The nobility of the bids , the haughty bearing of the peasants, the treatment composition frieze provide nobility and poetry, to the set.

Abandoning the representation of the laborious poverty of its inception, the benefit of an idyllic and picturesque view of the working world , Jules Breton favors reviewed and wins public . Presented at the Salon in 1859 , the work has a great success and even the attention of the Empress Eugenie . The latter makes buying civil list of Napoleon III. First presented at the castle of Saint -Cloud , then added , thanks to a donation of the emperor in 1862 , the collections of the Luxembourg Museum , museum for living artists.

Dogs and hunting tools (Fichas de Arte)



Dogs and hunting tools is an oil on canvas painted by Francisco de Goya for the first series of cartoons for tapestries designed destined for the Royal Sites. The fate of this first set of tapestries was decorating the dining room of the princes of Asturias, Carlos de Bourbon and Maria Luisa of Parma. As his fellow series was delivered on May 25, 1775. Like many other boards, once the final woven tapestries something was stored in poor conditions and would not be recovered for display until almost a century later. Stored in the cellars of the Palace of the East, went missing in 1869 when they finally were recovered Goya boards to be hung in the Prado. This specific ended cardboard collection of Raimundo de Madrazo, who donated it to the Prado in 1894. Since then displayed in the room 90 and its catalog number is 753. Your partner is Bowhunting claim.

The Cathedral-Basilica of Our Lady of the Pillar in Zaragoza (Fichas deArte)

The Cathedral-Basilica of Our Lady of the Pillar in Zaragoza is a major Baroque church of Spain. According to tradition, this is the first Marian shrine of Christianity, since it is preserved and venerated pillar-indeed, a column of jasper, which was released by the Virgin Mary who, still living in Jerusalem, it would have appeared in the flesh the apostle Santiago on January 2 of year 40. No documentary evidence as recorded in the tradition, details of which date from 1297, in a bull of Pope Boniface VIII 1299-and-a statement of Sworn-Zaragoza, where for the first time the title of "Santa Maria del attested Pilar ', after the launch in 1293 of bishop Hugo Mataplana rehabilitation of the building that threatened ruin, thanks to donations prompted by the aforementioned papal bull.


Here I leave a video of panoramic cadetral :

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